You are on an escalator, standing behind and slightly below a middle-aged woman who is wearing a sensible black knee-length skirt and flat shoes. Your visual field is filled by two stoutish legs in pale tights that are preparing to step off the top of the moving stairway. You are looking at a photograph by Dolorès Marat: Legs, Paris, 1997. Maybe you choose to focus on the contrast between the…
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